La Balade Cabaret
The artists Baladines and Baladins, offer you a travelling cabaret: marquee, guinguette, trestle, cave, barn, bar… as many stages as…
Read MoreLe Roi Nu
Henrietta, daughter of the King, and Henry…a rascal… fall completely in love. Taken by surprise by her mother, the princess…
Read MoreObjets’ction
Thrilling stories peppered with everyday objects searching for their identity tell of their disappointments, rebellions, desires. Embodied by four musicians/actors,…
Read MoreCamille
In this show, the four seasons mark the journey of Camille Claudel, the artist of genius whose destiny was broken…
Read MoreLa Bonne Âme du Se-Tchouan
Three gods arrive on Chinese soil to make a list of the “Good Souls”. Looking for somewhere to spend the…
Read MoreLe Chant de la Source
Under the marquee of the Baladins du Mirror, no show without songs! That would be like…. a tree without birds,…
Read MoreLettres à Elise – correspondance 1914-1918
Early August 1014, Jean Martin, a primary-school teacher in a small village in the Auvergne, has to go to war.…
Read MoreDésir, Terre et Sang
Dominique Serron proposes an original adaptation of the rural works of Lorca: Yerma, The House of Benarda Alba and Blood Wedding. A modern drama full of passion, a battle without mercy between desire and oppressive traditions of an inhumanly rigorous society.
We are at the funeral of Antonio Maria Benavides. The doors of the house of Bernarda Alba are shut on her daughters, forbidden to leave it to pass 8 years of mourning.
Blood Wedding, international success of Lorca’s work, is centre stage. The mother of the groom-to-be, who has already lost the men of her life because of the rivalries and quarrels of the village, alone in her grief, fears the departure of her youngest son who is going to get married. The wedding charges in like a bull in a bullfight.
Yerma, torn by her love, is in despair at not having any children. She questions an experienced woman, goes to see a healer, succumbs to depression, takes part in fertility incantations.
Dióscoro Galindo González, “Red Master” and friend of Lorca, orchestrates the unwinding of the three fables. He receives the audience and sprinkles nostalgic snippets about life throughout the work: the Barraca, the theatre, friendship, ideology, his friend Lorca and how he and all the victims of the dictatorship were sacrificed. A love song to the glory of poetry, a creation of today to the memory of the past in an attempt to give hope to the humanity of tomorrow.